Thursday, May 22, 2008

According to Tip

Tip O’Neill, like most people, had a temper. But one did not feel the heat of his anger so much as its iciness. I experienced that chill first-hand one morning about thirty years ago outside of Saint Monica’s Church in South Boston.
As I emerged into the sunlight following the funeral of a local dignitary I spied the speaker of the House standing off to the side with one of his aides. I had known him for some years and covered him as a reporter and commentator on Boston television. Moreover, I valued my relationship with him because he was such a unique character and had such personal warmth. I headed over to say hello.

“Good morning, Mr. Speaker,” I chirped as I approached.

He looked right through me, refusing to even acknowledge my presence. I knew it wasn’t that he was distracted or anything because I was standing directly in front of him, only about five feet away.
Uh oh, I said to myself, he’s mad about something I said or did. I slunk away, chagrined at having lost a relationship I cared about but knowing that’s the price one pays for being a critic - which is what we who consider ourselves pundits really are. I found out later that the speaker was not mad about anything I’d said about him, he had a thick skin when it came to that, he was mad about something I’d said about his son Tom, then the Massachusetts lieutenant governor.
That, I surmised, was that – until some weeks later when I was in a Palm Beach, Florida hotel at a speaking engagement. As we were preparing to sit down for dinner the fellow who had over-paid me to go there said, “I suppose you know all the politicians up there in Massachusetts.”

“Yes, indeed,” I agreed.

“Do you know the Kennedys?”

“Oh, absolutely.”

“How about Tip O’Neill, do you know him?”

“I certainly do,” I replied.

Whereupon a guy who was standing with us chimed in, “Do you know that Tip O’Neill is in the function room right next door to us?”

“What?” said the guy who’d paid my fee. “You’ve got to introduce me. I’ve always wanted to meet him.”

Suddenly aware of what had happened the last time I’d been in the speaker’s presence, I began backing and filling. “Well, I’m sure he’s very busy, doesn’t want to be disturbed.”

“Oh, no,” said the guy, “this is my chance to meet him and you’re going to introduce me.” And he took me by the arm and headed me in the direction of the adjacent function room.

I was literally quaking in my boots as we opened the door. There were about fifty people there, including the entire Massachusetts congressional delegation. The first person that spotted me as we entered was Joe Moakley, the congressman from South Boston, right next to Tip’s district. “What are you doing here?” he asked as he grabbed my hand. Before I could say anything he piped up, “Does Tip know you’re here?”

“Uh, I don’t think so,” I stammered, by this time about as steady as a mound of jello.

Now Moakley had me by the hand, leading me across the room with the guy who was paying me trailing behind, and he was calling out, “Tip, Tip, look who’s here.”

Disaster was at hand. Only my laundry man knew how nervous I was.

As we pulled up next to the speaker, who’d had his back turned, he looked around, spotted me, and threw one of his huge arms around my shoulder. “Oh, for God’s sake, my old pal,” he said pulling his cigar from out of his mouth. He had been mad a few weeks earlier, but he was willing to forgive and forget, at least this once.

My relief, and even gratitude, knew no bounds. “Oh, Mr. Speaker,” I said effusively, “I just wanted to come by and introduce you to my friend John Linstroth.”

Tip grabbed the hand of my host, looked him in the eye and said, “Any friend of Dick Flavin’s is a friend of mine. If you ever have a problem, just call my office.” The guy was thrilled, but not nearly as thrilled as I was.

We headed back to the other room with my host convinced that I must be a really important player back in Massachusetts.

That was Tip O’Neill, willing to let bygones be bygones and, more than that, always finding ways to make those around him look good. Would he have acted the same way if I had offended him second time? I never took the chance of finding out.

Monday, May 12, 2008

Dessa Rose - One Week Left

Our Dessa Rose journey is quickly coming to a close. Yesterday marked the end of our third week of performances. We close on this coming Sunday. What an experience it's been! I have had such a great time getting to know my fellow cast members and chatting with them about life and the business. I really think that the fact that we all like each other as human beings plays onstage. Even when we have scenes where our caucasian friends aren't necessarily being kind to their African American castmates in some of the shows' more difficult scenes.

Speaking of difficult scenes. We had a really great talkback with the audience on Sunday afternoon where some people volunteered how difficult it was to watch some of the scenes as they played out onstage. For example, the beatings, the coffle, and other violent scenes are hard, even when they are put into musical form. However, the example that was given was a point in the show where Ruth leaves the slave quarters and we all proceed to laugh at her behind her back. An audience member commented that this was difficult because it's such a universal occurrence that happens to everyone. For whatever reason, this really stuck with me. It's so interesting to think about the universal messages in this show and why it is so vitally important to make sure this story is told.

A friend of mine came to see the show and asked me how I felt about playing a slave. The question struck me because I realized something about my role in this show. This is so not about playing a slave in a musical. It is more about telling the story of these two women. And their story just happens to be set during a time in American history where this was their truth and reality.

I'm so excited about the remainder of the run - my two sisters and their friends are seeing the show on Wednesday, and more of my classmates from Boston Conservatory will be attending at random points during the week. Having love in the audience really makes a difference in a performance. For now, I'm enjoying my off days and resting up for a great final week!

Wednesday, May 07, 2008

Dessa Rose - Rolling Along

Today is the first show of Week Three of our Dessa Rose run. Things are going quite well - we've had a lot of lovely, very responsive audiences. Sometimes, it takes the audience a moment to really warm up to the subject matter. That's understandable, given that Act I moves pretty quickly and is really quite a lot to take. But they usually warm up and get lost in the story by Act II.

Last night was the New Rep Gala, and what an event it was! I met a lot of New Rep patrons and audience members. Many people had come to see the show more than once, and it was so wonderful to get an opportunity to chat with them and thank them for their support. Attending the Gala gave me an opportunity to learn about the other programs that New Rep does. One of the highlights of the evening was Rachel York's performance. Apparently, she is in the audience of our matinee today. That's really cool, but also a little nerve wracking, I admit.

We also received a note on our callboard today from Lynn Ahrens and Stephen Flaherty, the authors of Dessa, congratulating us on our current run. It's so cool to feel that connection with the authors of this piece and know that they appreciate us telling this story. Between that and meeting Rachel, I'm really starting to feel like a part of the theater community.

Well, once again this is a dressing room post, so I've got to head upstairs for the epilogue. ciao!

Thursday, May 01, 2008

Dessa Rose - Back in the Saddle

Tonight was our first night back after a two day break. So interesting coming back to a show after running it for a while and getting a break. I've worked out certain character choices for my characters throughout the show - while allowing the individual changes in each performances to affect them - but it was so interesting finding those choices and really considering why they work or don't work after the show has been left alone for a bit. I think I might have fallen into a rut of making decisions and reacting certain ways to events in the show, but stepping away from it gave me a little perspective. This is not to say, of course, that I completely changed all my blocking and disregarded my props this evening. This is not what happened at all. However, it was so great just to a fresh unfiltered look at what's going on. 

It was also really nice to come back and see the familiar faces of my castmates and catch up on what they did over our break. It made me realize what a bond we're starting to have as a cast. I think that that really plays onstage and helps us have that ensemble feel. We are really going to be bonding this weekend - we have four shows in two days, matinee and evening shows on both Saturday and Sunday. That will certainly be an adventure for all involved :)

Okay, I must go to bed and prepare for my last day of classes (!!!!) and another great show tomorrow night. Until next time...