The Whipping Man takes a different look at the Civil
War. Matthew Lopez’s play receiving it’s
Boston premier at New Rep focuses on a Confederate soldier just back at the end
of the war and two of his now freed slaves, however the three are Jewish. Caleb
stumbles back in his family’s home – a wonder wonderful and grand home now
showing its own battle scars. Caleb
crawls into the house unable to walk as his leg was hit by a bullet and has turned
gangrenous and is discovered by Simon is (now former) slave who has stayed in
the house waiting for the return of his wife and daughter. Soon we meet John, another of Caleb’s former
slaves who has been in hiding in and around the various houses in town. Over the course of the next 2+ hours the
audience is taken on an intense emotional journey learning what has brought
these three men together. Weaved through
the story is the fact that Caleb’s family is Jewish and has raised their slaves
in the Jewish faith and customs. It’s an
interesting twist on the tale but one that on occasion has the parallels
between Jewish slavery and the Civil War struggle overemphasized, especially
during the Passover scene – it’s powerful stuff but doesn’t need to be beaten
over the audience’s head. There were
many powerful moments opening night where the audience sat in rapt silence
taken in by the story, acting, and directing.
Benny Santo Ambush masterfully directs this well crafted
production. Jesse Hinson does a
wonderful job as Caleb and although he spends almost the entire play either on
the floor or in a chair is able to provide depth and draw in the audience. Johnny Lee Davenport gives an amazing
performance as Simon showing great depth and variety of emotion in this
role. It’s always great to see such good
acting. It seemed that Keith Mascoll
took a few minutes to settle in as John, but once he did he delivered a solid performance. Kudos should be given to the entire design
team for the beautiful set and the very cool rain effect. There were some moments that were tough to
sit through (and not because of the acting of directing!) watching the
characters go through some of the scenes was tough – but that’s the intent – to
make the audience feel uncomfortable at times and this production succeeded –
and it was well worth it to be able to experience this production.
~ Frank Furnari, New Rep Reviewer
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