Mad Men vibe and fast paced talk compels the audience and presents a 'Must See' production at the New Rep. With Mamet, there are expectations and they were met and then some in Watertown.
Robert Pemberton as "Bobby" with his exceptional accent not to be under-estimated when most of Hollywood only pretends to be from a particular venue. Pemberton convinces us and he readily draws us in to his point of view. Pemberton shines in this role.
The play between him and Gabriel Kuttner exceptional. Kuttner is believable as Charlie Fox and as 'everyman' who is loyal and 'true blue' to the powers that run the show and the 'friends' that tantalize and promise a leg up.
Kuttner reflects that man and humanity's attempts to move ahead at any cost in his role as Fox. He understands the game plan and reminds the audience and more crucially his pal, Bobby Gould.
To take the top off, the play has a fight scene. The sudden burst of violence and blood presents another level of Mamet at his best. Director Robert Walsh deserves kudos for the entire production. Walsh transitions the scenes and directs the actors to lead us through the phases of it all; no small feat with this play.
The pivotal conflict is dramatized effectively; both sweetly and purposefully by Aimee Doherty. Her role as Karen is the rub and she moves as an ingenue and a femme fatale. Who knew Karen (Doherty) would have this effect? Doherty plays her hand close and the audience appreciates how she develops this part.
Mamet addresses art and the concepts of being worthy, much like Oscar Wilde did in his essays on art and the value of art, artists and critics.
The Actors, the action, the play - exceptional! Speed-The-Plow
Reviewed - J.K. Cosmos - New Rep Reviewer
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