--Victoria Petrosino, New Rep Reviewer
New Rep’s production of “Marry Me a Little” provides an
intimate glance into the private lives and elaborate dreams of a series of NYC
apartment-dwellers. The show features songs
cut from other Stephen Sondheim productions woven into a charming musical. Traditionally staged to tell the story of two
NYC individuals at home on a Saturday night, New Rep widens the appeal to illustrate
four individuals for all combinations of passions and disappointments. The effort is particularly successful in adding
some weight to the diminutive 75 minute production.
Scenic designer Erik Diaz envisions an ambitious set with
four separate apartments, a fire escape with city views, and two smaller
brick-walled rooms for the pianists.
Each apartment is elaborately decorated and helps to provide a few
much-needed clues about the occupant, since the dialogue-free play yields
little actual story. For the most part,
each character remains in the separate apartment (even while singing duets),
highlighting that although several share the same longings, they are separated by
timidity or circumstance. Small moments
of intimacy come from knocking on the walls or stomping on the floor to quiet
the neighbors.
The live music (Erica Spyres also plays the violin) and
apartment scenes create a cozy environment for the audience. We watch the characters arrive home, unpack
groceries, drink wine, get ready for bed, and leave again the next day. The coziness partially offsets the lack of a
story, but for me, the production overall lacked substance. The music was excellent, the singers were all
talented, but the impression left by each song was too fleeting. Maybe that is the beauty of the
production. Each character leaves an ephemeral
impression in the life of another.
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