by Frank Furnari, New Rep Reviewer
Little Shop of Horrors
ends New Rep's mainstage season on a fun, campy note and is the most
entertaining show of New Rep's season. Known by many from the 1986 film
incarnation, this comedy horror musical tells the story of Seymour Krelborn, an
orphan that was taken in as a child by Mr. Mushnik, owner of a floundering
flower shop. Business has been so bad that Mushnik is planning to let go
his employees, Seymour and Audrey, but Seymour shows his latest botanical
creation, which he calls Audrey II. This 'strange and interesting plan'
draws in lots of business and attention – the only problem is that rather than
requiring water and plant food, Audrey II requires blood – human blood, oh and
it talks. Oh, did I mention - it's very funny?
Director Russell Garrett
assembles a superb cast staring with the street urchin trio – Chiffon played by
Jennifer Fogarty, Ronnett played by Ceit McCaelb Zweil, and Crystal played by
Lovely Hoffman. Lovely's bio states that she's a contemporary R&B
soul artist and it shows – her powerful voice on the opening notes of
"Skid Row" set the bar high for the rest of the show. Not to be
outdone, Jennifer and Ceit join in, blend well and have obvious chemistry on
stage. Blake Pfeil is the lovable Seymour and when we first see him on
stage I was reminded of Rick Moranis, but Blake make the role his own and makes
you fall in love with him – he is perfect in the role. Susan Molloy’s Audrey shines, especially
during Somewhere That’s Green. Bill
Moots (Orin) doesn’t come across as a very mean dentist, but gives a very funny
and memorable performance of It’s Just The Gas.
Peter Colao's set design
was a very good use of the space; with two rotating sections, it allowed
various locations to be portrayed quickly. Lots of little touches added
to this (properties design by Lauren L. Duffy) and proved fodder for comedy
including the flower case and the dentist's gas mask. On opening night there
were some minor sound issues – a minor complaint and one got better as the
performance went on. This is one of my favorite shows in this season of
Boston theatre - a great production of a funny musical; it’s not to be missed.
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